note
K. Brosens joins the KU Leuven Methusalem consortium (Re)Presentation in Image and Art (2022–2029). The project, directed by experimental psychologist Johan Wagemans, focuses on the psychology and neuroscience of visual perception and art perception.
Oct 2022
publication
G. Panagiotidou, H. Lamqaddam, K. Brosens et al. ‘‘Communicating Uncertainty in Digital Humanities Visualization Research’’. IEEE Transactions on Visualization and Computer Graphics, 28 (2022)
Oct 2022
note
H. Lamqaddam obtains her PhD degree from the University of Leuven (KU Leuven), on an interdisciplinary thesis titled In Search of Meaning: Thinking Information Visualization within Art History Research (25 April 2022)
Apr 2022
publication
K. Brosens ‘‘Engineering Brussels Tapestry. Development, Uses and Effects of the Privilege System, 1600-1700’’. Textile History [accepted for publication; 2022]
Apr 2022
publication
H. Lamqaddam, K. Brosens, I. De Prekel and K. Verbert ‘‘Perceptual Effects of Hierarchy in Art Historical Social Networks’’. Digital Humanities Quarterly 16 (2022)
Feb 2022
publication
K. Brosens ‘‘Nuova luce sul committente e sulla funzione della serie di arazzi Storia di Decio Mus di Rubens’’. N. Büttner and A. Orlando (eds), Rubens e Genova, Milano (Electa), 2022, pp. 200–209
Feb 2022
publication
A. Helmreich, P.B. Jaskot, N. Atkinson, K. Brosens et al., ‘‘Art History in the Age of Computational Methods’’. Dialogue & New Directions 3 (2022), pp. 6–19
Jan 2022
note
R.J. Beerens obtains his PhD degree from the University of Leuven (KU Leuven), on a thesis titled Painters and Communities in Seventeenth-Century Brussels: A Social History of Art in a Digital Framework (29 October)
Oct 2021
publication
H. Lamqaddam, A. Vande Moere, V. Vanden Abeele, K. Brosens, K. Verbert ‘Introducing Layers of Meaning (LoM):
A Framework to Reduce Semantic Distance of Visualization In Humanistic Research
’. IEEE Transactions on Visualization and Computer Graphics 27 (2021), pp. 1084-1094.
Feb 2021
publication
K. Brosens, B. Cardoso and F. Truyen ‘Slow Digital Art History and KUbism: Or, Situation Awareness and the Promise of Open-World Games’. in K. Brown, The Routledge Companion to Digital Humanities and Art History, New York (Routledge), 2020, Chapter 5 (13 pp.).
May 2020
publication
K. Brosens ‘Des vérités contrariantes? Les tapisseries, des performances et des oeuvres multiples’. Perspective. Actualité en histoire de l'art (2019), pp. 195-202.
Dec 2019
publication
K. Brosens, R.J. Beerens, B. Cardoso, F. Truyen ‘The Brussels guild of painters, goldbeaters, and stained-glass makers, 1599–1706: A multi-faceted analysis’. Zeitschrift für Kunstgeschichte 82 (2019), pp. 531–553.
Nov 2019
publication
K. Brosens and Y. Maes De Wit ‘Tapestry Production & Conservation. 125 Years De Wit Royal Manufacturers of Tapestry’. London (Harvey Miller) 2019.
Aug 2019
publication
R.J. Beerens ‘The Amsterdam Tapestry Producer Alexander Baert (1660-1719) and his Workshop: New Findings’. Textile History 50 (2019), pp. 41-54.
May 2019
presentation
H. Lamqaddam: Visualizing Social & Professional Network Data (RSA, Toronto, 16 March)
Mar 2019
publication
K. Brosens and A. Slegten ‘Benavides’s ‘Scipio’ ensemble and
collaborative entrepreneurial action
in Brussels tapestry around 1660’. The Burlington Magazine 161 (2019), pp. 112-119.
Feb 2019
publication
K. Brosens, J. Aerts, K. Alen, R.J. Beerens, B. Cardoso, I. De Prekel, A. Ivanova, H. Lamqaddam, G. Molenberghs, A. Slegten, F. Truyen, K. Van der Stighelen, K. Verbert ‘Slow Digital Art History in Action. Project Cornelia’s Computational Approach to 17th-Century Flemish Creative Communities’. Visual Resources (Special Issue on Digital Art History) 35 (2019), pp. 105–124.
Feb 2019
publication
K. Brosens ‘Not So Splendiferous Brussels Baroque Tapestry: Daniel Leyniers (1618-1688) Recovered’. Source: Notes in the History of Art (2018), pp. 24-34.
Nov 2018
publication
H. Lamqaddam, J. Aerts, K. Brosens and K. Verbert ‘NAHR: A Visual Representation of Social Networks as Support for Art History Research’. Papers of the 10th NordiCHI Conference (1–3 October 2018, Oslo), doi 10.1145/3240167.3240199.
Oct 2018
publication
K. Brosens, K. Alen and A. Slegten ‘Claiming Commerce, Quality and Credit: Raisons d’être of the Antwerp and Brussels tapissierspanden (Sixteenth–Eighteenth Centuries)’. Textile History 49 (2018), pp. 5-21.
Mar 2018
infrastructure
Cornelia welcomes 10.000th Actor
Nov 2017
publication
R.J. Beerens ‘Coral. The interplay between social structure, collaboration and tapestry design (1600–1650) through formal art historical network research.’. Jaarboek de Zeventiende Eeuw (2017), pp. 167-170.
Sep 2017
publication
K. Brosens and A. Slegten ‘Creativity and disruption in Brussels tapestry, 1698–1706: New data on Jan van Orley and Judocus de Vos’. The Burlington Magazine 159 (2017), pp. 528–535.
Jul 2017
publication
K. Brosens, J. Aerts, K. Alen, A. Slegten and F. Truyen ‘Visualizing and Analyzing Complex and Dynamic Networks of Flemish Tapestry Entrepreneurs 1640–1720’. Leonardo. Journal of the International Society for the Arts, Sciences and Technology 50 (2017), pp. 503–503.
May 2017
note
Klara Alen presents her PhD dissertation on networks in 17th-century Antwerp tapestry worlds (26 April)
Apr 2017
publication
K. Brosens, K. Alen, A. Slegten and F. Truyen ‘MapTap and Cornelia. Foundations of a slow digital art history and formal art historical social network research’. Zeitschrift für Kunstgeschichte 79 (2016), pp. 315–330.
Sep 2016
publication
K. Brosens, K. Alen and A. Slegten ‘In de praktijk. Het Vlaamse wandtapijt in 50 verhalen’. Leuven (Davidsfonds) 2016.
Apr 2016
infrastructure
Cornelia welcomes 4000th actor
Feb 2016
publication
K. Brosens ‘Les manufactures royales et la loi du marché. La tapisserie à Paris et à Beauvais’. Revue de l’Art 190 (2015), pp. 29–38.
Dec 2015
publication
A. Slegten and K. Brosens ‘Searching for Emotions. Brussels Painter Maximiliaan de Hase (1713–1780), Brussels Tapestry Producer Daniel Leyniers (1705–1770) and the Early Loss of Children’. in H. Magnus and K. Van der Stighelen (eds.), Facts and Feelings. Retracing Emotions of Artists, 1600–1800, Turnhout (Brepols), 2015, pp. 61–74.
Jun 2015
publication
K. Brosens and G. Delmarcel ‘Raphael’s Acts of the Apostles, Italian officers of the Habsburg monarchy and the Leyniers tapestry workshop, 1725–1755’. The Burlington Magazine 156 (June 2014), pp. 376–381.
Jun 2014
publication
K. Brosens ‘Quality, risk and uncertainty and the market for Brussels tapestry, 1450–1750’. in N. De Marchi and S. Raux (eds.), Moving Pictures. Intra-European Trade in Images, 16th–18th Centuries, Turnhout (Brepols), 2014, pp. 19–36.
Feb 2014
infrastructure
The 'MapTap' team starts to collect and model archival data on 17th-century Antwerp and Brussels tapestry producers and their families. The database is developed in Microsoft Access.
Jan 2013
publication
K. Brosens ‘Can tapestry research benefit from economic sociology and Social Network Analysis?’. in K. Brosens, K. Van der Stighelen and L. Kelchtermans (eds.), Family Ties. Art Production and Kinship Patterns in the Early Modern Low Countries, Turnhout (Brepols), 2012, pp. 43–51.
Apr 2012